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Basic formation: Sasha Pushkin - Voice, Electronics Guest musicians & artists: Oleg Matrosov - Tzura, Domra, Electronics |
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BRAIN YOUR GROOVE To go your own way. To see no borders. To be timeless. To avoid clichés.
STYLE This is “Boom Beat”. This is their own way. Sometimes they call it “Psycho Active Ethno Industrial”. However there’s no aim to follow any known style. Its somehow conceptional music. If you use the word Experimental maybe you have a chance to define it. Sometimes you find elements of: Break Beat, Trip-Hop, Reggae, Avant-garde, World music, Ethnic Fusion, Dub, Industrial, Art Rock, Post Rock, Minimalism and Psychedelia.. Some say, that Sasha Pushkin´s voice sometimes reminds one of Tom Waits and Lou Reed. Always modern grooves. Always progressive sound. Always an emotionally loaded beat. Always a litlle unusual. Never colorless. It goes way off. With hot pepper! Inspired by Brian Eno, David Byrne, King Crimson, Tom Waits, Nina Hagen, David Sylvian, 23 Skidoo, Madness, Ministry, Aquarium, Harry Parch, Peter Gabriel, Residents, Zga, Tom Ze, Asian Dub Foundation, Transglobal Underground, Photek, Björk, Urban Dance Squad, Reggae and Dub, Russian, African and middle Eastern folk music, Modern Classic and Free Jazz and more… CONCEPT Electronic rhythms are combined with live percussion. Greek Tzura, or Ukrainian Domra with guitar, played by a wooden stick. The electric cello with distorted voice. The beat is often made out of many short parts of normally long loops or out of mechanical and natural noise sounds. No limit of language. No limit of style. No limit on searching. No limit of length. No limit at all. The compositions can be anything between 3 to 15 minutes long. Experiments with a structure. No restrictions to verse - chorus - verse formats. Tightly composed parts combined with totally free improvisations. No limit of using acoustic or electric bass.” I just do something with bass drums and no one notices that there’s no bass at all” (Sasha Pushkin) Slowing down and speeding up instrumental lines simultaneously. Building a composition on dialog principal. Minimal tendencies combined with explosively eclectic parts. Harmony and dissonance. Putting together elements of different styles. Transparent arrangements. Mixing cold mechanic with warm emotion. Hidden massage. Intellectual and spiritual touch. Music for 7 shakras. Conceptually composed performance. Theatrical touches. Every musician is a visual figure in the field of stage light - projected atmosphere. Every composition is an audio-visual story, waiting to unfold.
MEMBERS Just a phenomenon. Sasha Pushkin Voice, Programming Just a magician. Souleymane Toure Djembe Tarabuka Talking Drums Voice
Just a master. J. M. Zeger Guitar Objects Just a boom. Jim Lametta. Cello Electronics Mandolin Voice BAND HISTORY At the age of 12 Sasha formed his first “studio band” with school friends. Recordings were made in his parents` apartment, using the sounds of Piano, Acoustic Guitar, Suitcase, a portable cassette recorder and various found objects. He formed his second band at the age of 15. With a real Drum Set, Electric Guitar and a Russian electric organ. These improvised compositions sounded like a Russian Velvet Underground. In the same period he had his first “professional” trial - playing keyboard and piano with two of Russia’s future Rock legends, Viktor Tsoi (Kino) and his partner Sergey Timofeev. Unfortunately (or fortunately) the two singers fell out and the project fell apart shortly after Sasha became involved. Afterwards, Viktor Tsoi formed the group Kino, and Sergey Timofeev formed the Buratino group. There came a number of projects after that. With a stage name “Alexander
Spagetti” Sasha played by Buratino, Sosedi and Dva Samolyota. At age 22
he made many tours and performed stadium concerts as support act for DDT,
a number one group of Russian Rock. They traveled around Russia, Ukraine,
Belorus, Lithuania, Latvia and Estonia. In 1989 when his group was constantly
on TV, Sasha Pushkin went to the west. He took part in many jam sessions
with different musicians, making thousands of recording experiments and
travelling around. By 1998 there were just 4 musicians and machines on stage. The the new
face of Boom Beat - more unusual, more electronic, more conceptual and
modern.
Former PUSHKIN musicians (thanks !): 1995 - 1998 Former PUSHKIN Guests: (thanks !) Nguen wan nam - Monachord 98 - Part 2, mp3, 772 kb
......>>> PUSHKIN BOOM BEAT Sasha Pushkin voice, programming Ihre Musik heisst "Boom Beat" oder "Psycho Active Ethno Industrial"
und schwebt in einem unentdeckten Grenzbereich zwischen Parodie und Ernst,
U - und E-Musik. Die vier energiegeladenen Musiker füllen die minimalistisch-mechanischen
Rhythmen mit einem theatralischen Freistilmix voller Sehnsucht und Musikalität.
Boom Beat erschafft einen abenteuerlicher Klangraum, in dem sich gesampelte
arabische oder industrielle Rhythmen mit dem Offbeat einer griechischen
Zura oder Elektronik Cello und afrikanischer Konzeptualität treffen, um
gemeinsam im West-Ost-Süd-Nord-Groove abzuheben. Pushkin spielte sich im Rahmen des "Potsdamer Abkommen" und beim Berliner "Bands United" - Festival in die Herzen des Publikums - und der Medien. Daß in seiner Band auch Musiker von Apparatschik und Blechreiz spielten, wundert nicht: mit beiden Bands gab es schon umjubelte Auftritte. So im Berliner SO 36 und im Pfefferberg, Tempodrom, Haus der Kulturen der Welt ..., so auch als Headliner des Abends vor 7000 begeisterten Zuschauern beim Tanz- und Folkfestival Rudolstadt. "Wann hört man wieder was von Euch?" war Backstage die meistgestellte Frage. Hier ist die Antwort: "Jetzt!" Boom Beat wird verglichen mit … Tom Waits, Lou Reed, Can, The Ex, Nick
Cave, Talking Heads, Massive Attack ... S. Pushkin ist inspiriert von Brian Eno, David Byrne, King Crimson, Tom Waits, Nina Hagen, David Sylvian, 23 Skidoo, Madness, Ministry, Aquarium, Harry Parch, Peter Gabriel, Residents, Zga, Tom Ze, Asian Dub Foundation, Transglobal Underground, Photek, Björk, Urban Dance Squad, Reggae und Dub, russischer, afrikanischer und orientalem Folk, Moderner Klassik und Free Jazz.
DIE MUSIKER Just a phenomenon. Sasha Pushkin. Voice, Programming Sound Künstler und Konzeptentwickler. Ein unermüdlicher „Kollaborateur" in verschiedenen Feldern der Kunst und Musik. Gründer und kreative Quelle von Pushkin Boom Beat und vielen anderen Projekten. Er verbindet eine charismatische Bühnenpräsenz mit scheinbar unerschöpflicher Energie. Just a magician. | Souleymane Toure. Djembe, Tarabuka, Talking Drums, Voice Ein versierter und wandlungsfähiger "Trommel-Veteran" von der Elfenbeinküste. Sein Beat hat ein legendäres Orchester aus Abijan angetrieben und er brachte Alpha Blondy in die Charts. Er arbeitete mit Manu Dibango und 1000 anderen. Der Gründer der Academy Percussion und der "Patriarch" der Percussionisten Berlin´s. Just a master. J. M. Zeger. Guitar, Objects Ein Gitarist mit philosophischem und gleichzeitig explosivem Ausdruck. Bekannt als Solist und Improvisations-Künstler, wie als Wegbereiter des Gamelan-sounds auf der Gitarre. Ein "Play`n`Search" Weltreisender durch die USA und Finnland, Belarus und Indonesien. Und er schweigt gerne ... Just a boom. Jim Lametta. E-Cello, Mandoline, Electronics, Voice Die Kraft der neuen Generation. Vielfachtalent. Expression und Humor. Filmmusikkomponist. Man sollte Ihn sehen!
STIMMEN ZU PUSHKIN BOOM BEAT "Ich war sehr beeindruckt ... ungeheure Kraft ... äußerst interessante
Arbeit... unglaubliche Dinge geschehen ... progressiver Sound ... bedeutsamer
Anstoß aus Berlin... " „Absolut einzigartiger Stil ... etwas nie zuvor gehörtes erscheint ...
unnachahmliche Technik ..." „Postmodernes Schamanentum auf der Höhe seiner
Zeit." „Der Virtuose Pushkin wirkte wie ein an die Spitze stürmender Showmaster
... Nach den ersten Paar Takten war die Halle zum bersten voll ... und
kein Einziger verliess den Raum vor dem Ende ..." Sasha Pushkin sang einen "Raggamuffin-style" der manch einen Jamaikaner
übertroffen hätte ..." "Live muß es unglaublich sein !" Presseartikel: Fernsehauftritte: NTV, ORB, OKB, SFB, RBB, DW... Radioauftritte:
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